Film

By Peter Tonguette Neal Page and Del Griffith are on the road again. The famous cinematic odd couple — amusingly finicky businessman Neal (Steve Martin) and lovably oafish traveler Del …

“I think the best thing is having a vision, because it is animation. We don’t have any guide or source track. We build everything from nothing, literally a blank piece …

“I had worked at a movie theater where I saw hundreds of movies in front of audiences, from the late ’70s to the mid-’80s. I watched them so many times—things …

“After I took my first editing class, I was hooked. It’s funny, because I remember thinking I would never be an editor because it seemed too hard — but once …

“I’m a middle-aged, white male editing the Emmett Till story. We talked about that.”

“Because of the way I bootstrapped my career, it has been very wide, eclectic and involved many genres.”

“It’s unnatural for me to think about my editorial voice, because an editor’s job is to take our stylistic cues from the director and become one with the material.”

“When I was a child, I was obsessed with anything animated.”

By Peter Tonguette   For 18 years, on and off, the director of “Five Easy Pieces” (1970) and “The King of Marvin Gardens” (1972), and, as part of the legendary …

“This is what is really satisfying about the film: Your guard is let down by the humor, and you don’t expect that you’re going to have as emotional an experience …