In 1998, when re-recording mixers Rick Alexander and Richard D. Rogers first met with director John Frankenheimer about working on “Ronin,” there were many subjects that could have been discussed.
Re-recording Mixers
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Web Exclusives
The Post-Production Challenge of Bringing ‘War for the Planet of the Apes’ to the Screen
War for the Planet of the Apes, the third chapter of 20th Century Fox’s latest reboot of the Planet of the Apes franchise, opened July 14, almost three years to …
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Web Exclusives
Once Upon a Pair of Wheels: Julian Slater Revs Up the Sound for ‘Baby Driver’
by Mel Lambertby Mel LambertThe eponymous hero of ‘Baby Driver,’ played by Ansel Elgort, is forced to work for a veteran kingpin in exchange for the start of a better life.
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Features
Warg Howls, Dragon Purrs and White Walker Ice Cracks
Welcome to the Soundscape of Westerosby Mel Lambertby Mel LambertHBO’s highly popular Game of Thrones TV series has demonstrated that audiences will tune in regularly for well-fashioned drama that incorporates outstanding post-production.
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The NAB Show, held from April 22 through 27 at the Las Vegas Convention Center, once again offered a unique opportunity for post professionals to update themselves on new sound …
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As the Motion Picture Editors Guild enters its 80th anniversary year, it’s important to recognize that 2017 also marks the 90th anniversary of the commercial ascendance of motion pictures with …
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Over the past decade, production sound mixer Chris Newman, CAS — who has been something of a mentor to me during my whole career — has been retired from working …
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The 89th Academy Awards nominees in the Best Sound Mixing category cover a broad cross section of films, ranging from the story of an alien invasion to betrayal in Libya, …
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“I mix and supervise feature films and episodic television. Since I live in a smaller market with limited union opportunities, I also work as a music editor on some movies.”
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On January 31 at the Sportsmen’s Lodge in Studio City, a joint AES/SMPTE meeting will showcase the intricate sound editorial and re-recording of the Netflix miniseries ‘Stranger Things’.