Re-recording Mixers

“There were several gun battles and a serious rocky fall that contained no traditionally scored music. The absence of music allowed our sound effects and Foley to take the soundtrack’s …

The owners and participants in Formosa Group are all creatives who together with 10 other seasoned post professionals, comprise the talent pool of a new operation that opened for business …

The canvas of The Right Stuff (1983) is rightly thought of as large — Herculean, even. In recounting the history of America’s valiant test pilots and astronauts, writer-director Philip Kaufman’s …

Helming a re-recording crew during the preparation of an intricate motion picture soundtrack takes a unique combination of technical capabilities, people skills and an appreciation of sound and imagery. For …

A compilations of praise and memorable stories for award winning re-recording mixer Donald O. Mitchell.

‘Sound for Digital Video’ provides a valuable overview for those planning to enter the audio-for-video production business.

CineMontage caught up with the two sound mixers as they were finishing work on ‘World War Z’ at Twickenham Studios in London.

Sound editors and mixers need to be confident that their room acoustics are not skewing their judgment.

With movie-going audiences expecting fully immersive visuals from 3D presentations, the sound post-production community is fast playing catch-up with immersive surround-sound systems.

Sixty-five years after the semi-documentary film The Naked City (1948) premiered in March 1948, it still reveals much about New York City that has not changed.