Re-recording Mixers

Director Jonathan Demme put his talented sound design and editing crew up to a Dogme 95-style challenge for his latest feature, Rachel Getting Married.

To help navigate through all the improvised sequences, Alpert extensively used Avid’s Script Tool, an older but still useful utility on a movie such as ‘Pineapple Express’.

With an electronics background in the Guard, I acquired a 1st Class FCC license in the hope that it might open a door to the industry––and it did!

CineMontage recently spoke to Francis Ford Coppola and Walter Murch in separate interviews.

The Motion Picture Editors Guild has selected veteran film editor Dede Allen, ACE, to be the 2008 recipient of the Guild’s prestigious Fellowship and Service Award.

The Simpsons Movie will not feel like most animated films of recent years, what with its 2-D production and an almost minimalist soundscape.

CineMontage spoke with Tom Fleischman about his mother (Dede Allen) and what he learned from her.

From the beginning of his film career in the early 1950s, filmmaker Robert Altman has utilized sound in unorthodox and spontaneous ways.

What comes through in ‘Bobby’, from start to finish, is the trueness of all the performances and the passion that went into making it.

The same loyalty that they give him, Ron Howard gives back in trust, respect and collaboration.