Re-recording Mixers

It’s not only the “when” of ADR that is being re-examined, but also the “how” and “where.”

Consoles have evolved dramatically over the last two and a half decades.

Production mixer Chris Munro, sound editor Victoria Rose Sampson and re-recording mixer Leslie Shatz share their different points of view about sound.

I recently traveled to Paris to mix ‘Le Divorce’.

CineMontage interviewed Gerry Humphrey in his office at Twickenham Film Studios where he is the sound director, and where he has worked since 1963.

Sound editor and mixer Larry Blake, supervising sound editor Mark Mangini, and re-recording mixers Michael Minkler and Myron Nettinga talk frankly about the blending of sound mixing and sound editing.

In this conversation, re-recording mixers Larry Blake, Michael Minkler, and Myron Nettinga as well as supervising sound editor Mark Mangini, offer sharply differing views about the future of sound post …

Robert Knudson talks about schedules, ‘eye-ear coordination’ and drugs and alcohol in the ’60s.

Cinemontage talked to Robert Knudson in his office on Seward Street for this two-part interview.