Recordists

“I have always been drawn to storytelling through various mediums, whether it’s through sound or visual media. It was during my time at Berklee College of Music that I delved …

“I wanted to make sure that we were hearing the right train, the right kind of Baldwin Locomotive.”

“Watching ‘Lost’ was one of the reasons I wanted to get into audio post production.”

From early in her career in the film business, Jeannette Browning recognized that she was something of a rarity. “I was really interested in dubbing, but I realized that there …

The world of episodic TV and cable has been experiencing some major challenges during recent seasons. As appointment viewing transitions to more on-demand streaming and even binge-watching, there is a …

“Developing a soundtrack is a collaborative process, from the spotting session to the dub stage,” stressed Oscar–nominated sound designer, supervising sound editor and re-recording mixer Ai-Ling Lee, CAS.

The Academy of Motion Picture Arts and Sciences has extended invitations to join the organization to 928 artists and executives from 59 countries — including 37 Editors Guild members in …

With a promise of offering a novel direction for HBO’s multiple-Emmy Award-winning sci-fi drama ‘Westworld,’ its second season is also breaking new ground in the sound department.

To hear Robert “Bubba” Nichols describe it, working as a recordist sounds a little like serving as a fighter pilot. Okay, okay — pilots operate under life-and-death pressures in the …

In the early days of the motion picture industry, progress often required that new technologies be innovated by a studio that was advancing the art of cinema.