When I was born and raised in the west San Fernando Valley in the late 1950s; television was black-and-white, radio was mono and AM radio channel KHJ with “The Real …
Recordists
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“Editing a film is making the film as much as shooting it or writing it is.” Woody Allen told me that when I interviewed him in 1996 for “DGA Magazine,” …
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Web Exclusives
Return of the Replicants:
Post Tech Informs ‘Blade Runner 2049’by Mel Lambertby Mel LambertAs one of the most anticipated sequels, with one of the longest waits ever for it to come to fruition, ‘Blade Runner 2049’ pays tribute to Ridley Scott’s iconic sci-fi …
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In 1998, when re-recording mixers Rick Alexander and Richard D. Rogers first met with director John Frankenheimer about working on “Ronin,” there were many subjects that could have been discussed.
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Web Exclusives
The Post-Production Challenge of Bringing ‘War for the Planet of the Apes’ to the Screen
War for the Planet of the Apes, the third chapter of 20th Century Fox’s latest reboot of the Planet of the Apes franchise, opened July 14, almost three years to …
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ADR/Foley mixer Jesse Dodd, CAS, MPSE, never doubted that her career would be in show biz.
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Scheduled to unveil on September 2 in its 10-episode entirety, Season 2 of Netflix’s hit series Narcos is expected to prove as popular as the initial offering — and probably …
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The films of this year’s Oscar nominees in the Sound Editing category range from the story of a run-and-hide rebellion in post-apocalyptic Australia, to emergent threats to galactic peace, through …
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Features
Celebrating a Sonic Centennial: Everything You Wanted to Know About the History of Cinema Sound
by Betsy McLaneby Betsy McLaneHave you seen Laurel and Hardy do exactly the same skit in both a silent and a sound version? Was it actually the quality of John Gilbert’s voice that doomed …
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Knowing that I was unhappy with my apartment maintenance job, my cousins invited me to travel with them as their soundman. There was no pay, but they thought I might …