Sound Editors

By Mel Lambert   The nominees in the Best Sound category at this year’s Academy Awards represent an array of noteworthy films.   To learn more about the post teams …

He has an affinity for independent projects and whose mantra has been “be adaptable.”

He spoke of going to see the Fellini film “La Strada” and staying to see it a second time.  He had never seen a film like it and it affected …

“It’s a team effort, and together we bring stories to life, creating a memorable auditory experience for the audience.”

By Stav Birnbaum   Elisha Birnbaum, a movie Foley artist turned owner of Sound One — the premier East Coast post-production sound studio that produced the audio of hundreds of …

‘Wait a minute. It doesn’t sound like it did on the mixing stage.’

By Su Fang Tham With its entrancing medley of neon-drenched kinetic action, pulpy narrative, and a retro-cool mythological world, director Chad Stahelski’s deliriously entertaining “John Wick” action franchise is back …

“We do one thing, we do sound.”

“We both came to this with a lot of fear and anxiety about how to accomplish all of this technical wizardry.”

“It may be the hardest movie I’ve ever worked on.”