Sound

Steven Soderbergh and Larry Blake have been making movies together since the start of their professional lives.

The smooth operation of a post facility depends upon the skills of a well-staffed engineering department to ensure that editors and mixers can work efficiently to create a film/TV soundtrack. …

For the first 10 days of their collaboration, composer Jack Nitzsche did not say more than two words to music editor Curt Sobel.

Giving credit to John Stephens for the development of a portable, 59-pound, battery-operated 8-track machine.

The independent movie is infused with the iconic sounds of the 1960s group and shows the in-studio process.

When sound designer/supervising sound editor Dane A. Davis, MPSE, attended the audience preview for The Matrix (1999), he — as well as directors Andy and Lana Wachowski (then known as …

Although it is often considered something of a specialist art form, an appreciation of the intricacies of Foley walking can be extremely useful for any post professional working in film …

With the ubiquitous digital audio workstation (DAW) now a key creative tool for not only sound designers and supervising sound editors, but also re-recording mixers, the choice of plug-ins can …

The many people who create sound,are likewise invisible to the public — even as their contributions are central to making onscreen worlds. They too are part of the occult magic …

Scattered throughout the films of Cameron Crowe are moments in which the director’s adolescent rock wordsmith background shine through.