Sound

I have been a re-recording mixer for 33 years, and the idea of turning a production track into a full, complete and seamless sound track — that hopefully enhances and …

I was preparing for a career in Foley.  Whether I was imitating a birdcall that I heard during recess or pantomiming the rhythm of Miss Brady’s heels clip-clopping down the …

The canvas of The Right Stuff (1983) is rightly thought of as large — Herculean, even. In recounting the history of America’s valiant test pilots and astronauts, writer-director Philip Kaufman’s …

The producers see the character of Dexter as having different, sonically distinct modes of operation; that drives their creative decisions.

‘Sound for Digital Video’ provides a valuable overview for those planning to enter the audio-for-video production business.

Sound editors and mixers need to be confident that their room acoustics are not skewing their judgment.

Orchestral layout is highly dependent upon the type of film music being recorded, according to scoring mixer John Kurlander.

Probably best known for his creative work on the scores for director Peter Jackson’s The Lord of The Rings trilogy, scoring mixer John Kurlander earned three consecutive Best Score Soundtrack …

This article looks at the East Coast sound contingent, which consists of a handful of post-production facilities that cater to the needs of independent filmmakers and directors based close to …

Letters from our readers regarding ‘black hawk down’ and the history of post-production sound.