Sound

By Mel Lambert   The nominees in the Best Sound category at this year’s Academy Awards represent an array of noteworthy films.   To learn more about the post teams …

“So much of the tone of the show is set in the edit bay, and we are super-fortunate to have a group of editors that work in collaboration.”

“The whole goal was: ‘How do we keep Lenny’s heartbeat and human nature alive through the whole thing?’”

By Mel Lambert   With Dolby Atmos immersive playback now available in an increasing number of consumer environments, is it any wonder that major studios and media stakeholders are including …

“We do one thing, we do sound.”

“I have always been fascinated with sound in films.”

  By Jennifer Walden Have you heard? Audiences are complaining about unintelligible dialogue in non-theatrical content on their TVs, about having to use subtitles and having to “remix” content live …

There certainly have been growing pains in the transition to remote editing, but it’s becoming easier to embrace this workflow as the process evolves.

“Olivia loved low-frequency sounds.”

“What I found challenging and what required a journey was to find the sound of Pinocchio. Let’s start with wood, so you bang pieces of wood together and you go, …