Sound

When I was born and raised in the west San Fernando Valley in the late 1950s; television was black-and-white, radio was mono and AM radio channel KHJ with “The Real …

“Foley artists create sounds in sync with actions seen on screen. We will make the footstep sounds for every character in a film, giving their steps the personality the actor …

Foley artist Catherine Harper, MPSE, remembers the first time she encountered filmmaker David Lynch. In 1996, she was about to start creating Foley sounds for Lynch’s upcoming film, ‘Lost Highway.’

Midge Costin, MPSE, is making a documentary about motion picture sound and its editing.

If you’re a Pro Tools instructor, ‘Audio Production Basics With Pro Tools | First’ provides a guided, formal course of study that will turn beginners into Pro Tools engineers.

As on previous occasions, Mix magazine’s fourth annual Sound for Film & TV conference was held at Sony Pictures Studios in Culver City in cooperation with the Cinema Audio Society …

The title of Lawrence Weschler’s book, “Waves Passing in the Night: Walter Murch in the Land of the Astrophysicists,” is complex and slightly mysterious, fitting for an exploration into the …

After the publication of my article, “Automatic for the People,” in the last issue of CineMontage (Q1 2017), I received a few comments, clarifications and corrections. Regarding the photo of …

As the Motion Picture Editors Guild enters its 80th anniversary year, it’s important to recognize that 2017 also marks the 90th anniversary of the commercial ascendance of motion pictures with …

by Edward Landler Audiences first heard the nascent Rock ‘n’ Roll music in the movies in March 1955, when Bill Haley and the Comets’ “Rock Around the Clock” played over …