Technology

Orchestral layout is highly dependent upon the type of film music being recorded, according to scoring mixer John Kurlander.

This article looks at the East Coast sound contingent, which consists of a handful of post-production facilities that cater to the needs of independent filmmakers and directors based close to …

Representing one of the most exciting new sound post-production facilities to be built in Tinsel Town in several decades, the Technicolor at Paramount complex on Melrose Avenue in Hollywood comprises …

For both mixing and workstation technologies at Technicolor’s new post complex, Avid served as the primary hardware supplier.

“…and it’s being shot completely in Arabic.” Say what? I fervently hoped that the webcam pixelation hid the panic I could feel creeping into my eyes.

They somehow think that freedom to speak equals freedom to steal.

Pete Beaudreau spoke to CineMontage about ‘Margin Call’ and his career path.

As the on-set, or reference editor, Viertel feels like he’s doing a service for the picture editor, to make sure he has all the resources mapped out the way he …

How we work, and the creativity that results from these endeavors, are highly dependent upon the palette of available picture editorial, sound editorial and re-recording mixing tools.

“Let me just start out by saying that I have everything before Avatar, and then Avatar––because there was nothing normal about how we did this film”- Stephen Rivkin