Technology

When London was readying The Pacific’s post-production workflow in 2007, he participated in two key decisions—to shoot the miniseries on film rather than acquiring it on emerging file-based systems, and …

Flyers (or websites or e-mails) don’t really organize anybody. The actual act of organizing, is a face-to-face thing.

“By the time we were going to camera, we were already dealing with all the best performances… We had to come up with a whole new language of terms—combos, stitches, FPR, …

Just what does the end of the world sound like?  That’s the question that faced supervising sound editors/sound designers Steven D. Williams, MPSE, and Eric Norris, MPSE, as they approached …

“Anything that doesn’t sound familiar is probably a new experience for an assistant, Avatar is that kind of project.” – Jason Gaudio

One thing James Cameron, A.C.E., will never be accused of is not having big enough dreams.  It’s a good thing he writes them down.

Working on Leverage gave Kenneth L. Johnson his own leverage to push his own shop, Artistry in Sound, to the next level.

A handful of television editors at different stages in their careers recently sat down with CineMontage to discuss the past, present and future of editing for TV.

The expansion of digital filmmaking into HD and beyond has seen film become an anachronism, rather than a competitor or adjunct to digital.  Many of the traditional assistant’s duties are …

Working remotely has become commonplace in big, visual effects-laden feature films. It certainly appealed to Kirk Demorest.  So much so that he decided to figure out a way to do …