Television

“I do feel like I am an artist-editor, and I found my medium in college.” 

“My job is to help make the editors’ day less hectic, so I assist them with graphics, sound work, and mostly technical problems that affect them. Sometimes an assistant editor …

When the audience first meets the  grifter Tom Ripley in the eponymous new limited series drama, “Ripley,” he’s dragging a dead body down a long flight of stairs in the …

By Kristin Marguerite Doidge    The human element of the hit Netflix sci-fi thriller, “3 Body Problem,” is what helped audiences connect to its gripping and often highly technical material. …

By Rob Feld    Amelia Allwarden’s journey into film editing began with a childhood fascination with storytelling. “Ever since I was a kid, I loved movies and books,” she says. …

By Patrick Z. McGavin   Susana Benaim has built an impressively varied career.  Upon arriving in Hollywood, the Venezuelan-born picture editor parlayed an ACE internship into a professional launching pad. …

The popular Netflix social media competition series was previously being shot and edited in the U.K., but recently came to the U.S. for seasons six and seven (the latter yet …

“The episodes really came together in the edit. The two of them made that process really fun from beginning to end by taking risks, trying things, and crafting moments that …

Helping make the mystery—and the wit—come to life are supervising sound editors Mathew Waters and Danika Benton Wikke.

By Kristin Marguerite Doidge    The critically-acclaimed AppleTV+ series “Masters of the Air” features compelling performances from each of its star cast members as they took on the horror of …