“I try to make creative choices that will align as closely as possible with the writer’s and director’s intentions, trusting my instincts and personal tastes as my guiding principles.”
Television
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Colorist Mark Wilkins has a message for audiences: Think twice before believing everything you see on TV.
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As on previous occasions, Mix magazine’s fourth annual Sound for Film & TV conference was held at Sony Pictures Studios in Culver City in cooperation with the Cinema Audio Society …
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As the technical director of “Hairspray Live!,” Charles Ciup was at the helm of a switcher to alternate between the angles of the show’s 19 cameras, and in charge of …
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I have always been drawn to editing. Initially, it was literary editing, but then it turned into picture editing.
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Introducing the program, ACE President Stephen Rivkin welcomed the audience and announced that for the first time, EditFest LA was being streamed online.
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Features
‘Transparent’ Editing: Peering into the Post Process of the Hit Amazon Series
by Laura Almoby Laura AlmoThe acclaimed web series “Transparent,” created by producer/writer/director Jill Soloway (“Six Feet Under,” 2001-05, and “United States of Tara,” 2009-11), has made waves on television and in the LGBTQ community.
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Music editor Del Spiva chuckles when asked how he explains the job of a music editor to the uninitiated. For Spiva, explaining the job can be a Socratic experience; he …
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My few forays into non-feature editing were no less challenging. But they paid less money.
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Nominations for the 69th Emmy Awards were announced on Thursday morning, July 13 by the Television Academy. The Editors Guild congratulates all of its members who received nominations.