Television

“I am attracted to real stories about real people with real problems, without layered-on artificial drama or melodrama. This runs through almost everything I’ve done.” – Alex Hall

Sound editor Lon Bender, MPSE, knew that he needed to leverage his many years of experience to develop a time-conscious workflow for director Kaige Chen’s IMAX 3DChinese martial arts offering …

Just as the show itself tells the story of an organized team of spies, agents and heroes on a mission to protect the world, the editorial mission requires a similarly …

As a member of both the Editors Guild and the American Cinema Editors, I look back on my 50-plus years in the greatest industry on the planet, feeling blessed that …

These days, it takes a team of talented post-production professionals to prepare soundtracks for motion pictures and network/cable TV programs.

Many of the editors I met asked me why I didn’t want to become a director like my dad. To me, editing was far more interesting than directing — and …

Connotations to the contrary notwithstanding, “flipping” ain’t easy.

Television has its own way of telling stories, on screen and in the cutting room.

The show-business career of Jeff Freeman, A.C.E., began on a terrifying note. At the age of four, he was plucked by his stepfather, director Arthur Napoleon, to appear in a …

Picture editors’ storytelling skills are tested in animation to a degree rarely demanded in any other kind of film. In live action, they may come on to a project to …