When I saw the ending montage of my character walking into the sunset to the Doors’ “Not to Touch the Earth,” I was floored at the raw emotion it invoked …
Television
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Forty years in show biz. I’m so grateful for all the good times. The bad times? They just happened and I’ve stopped trying to explain them.
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For over 100 years now, from episode to episode and sequel to sequel, whether serial or series or saga, these entertainments have drawn the interest and attention of vast audiences.
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Features
Sonic Synchronicity: Sound Editors Collaborate with Production Mixers
by Mel Lambertby Mel LambertThere are many instances when the partnership between these essential roles can bring an enhanced level of creativity to the final result.
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Features
The Spies Next Door: Editors Track the KGB in Suburbia for ‘The Americans’
by Rob Feldby Rob FeldScreenwriters aren’t the only ones benefitting from the richness of material now playing on cable television, or streaming from Netflix. The complexity of subject matter and shooting styles, previously the …
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The producers see the character of Dexter as having different, sonically distinct modes of operation; that drives their creative decisions.
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Because of the bifurcated way in which most films and television shows are made, with production and post-production each functioning more or less independently, they seldom have occasion to work …
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The American Experience had a unique style and zeitgeist. The stories were never pat interpretations of historical figures and events, nor did they shy away from the chronicles of lost causes, …
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As the motion picture industry grew during the silent era, Hollywood borrowed the serialization of stories from magazines and the cliffhanger from popular drama to create the movie serial.
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Allow me to introduce you to the post-production alchemy that produces the show that, according to Newsweek senior writer Andrew Romano, is “right now…the best program on TV, period.”