Television

“The more I worked with her, the more I realized it’s possible to make a difference in post-production. She really encouraged me to cut as much as possible and saw …

“Not every project will have a smoking gun, but you won’t find it if you’re not allowed to look.”

“I’m someone that likes to solve puzzles, or build Legos, that kind of king. The way I view editing is just having a lot of pieces together, with not necessarily …

  by Kristin Marguerite Doidge    Sunday’s 74th Annual ACE Eddie Awards, presented by American Cinema Editors (ACE), brought together legends from past, present, and future to recognize this year’s …

“I’ve watched the ‘Star Wars’ films in the past and recognize the famous characters, but didn’t know much beyond that. So coming into this big galaxy was both exciting and …

Ray has an eclectic lane of projects from Jazzin at the White House to Jimmy Fallon’s “That’s My Jam!” Please join us in celebrating Ray Artis today!

“So much of the tone of the show is set in the edit bay, and we are super-fortunate to have a group of editors that work in collaboration.”

By Kristin Marguerite Doidge   Emmy Award-winning picture editor Stephanie Filo, ACE, has found herself at the center of several key moments in history over the past decade, from building …

“I was blown away by the ambition of it all, but the producers were very vague about what the final product would be.”

“Online editing may seem a little less creatively rewarding compared to offline editorial, but I find visual effects to be a satisfying creative outlet by developing new workflows and solving …