“The biggest challenge is probably the crossover episodes for all the Dick Wolf shows. Crossover episodes are basically three episodes tied together to make a single three-hour story.”
Television
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Web Exclusives
Garret Donnelly and Geofrey Hildrew On Cutting the Opioid Epic ‘Painkiller’
by Rob Feldby Rob Feld“Peter Berg was open-minded when we started the project and wanted to see what we wanted to bring to it. He had this ongoing mantra to be fearless.”
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Web Exclusives
Jamie Kennedy Talks about Editing Amazon’s ‘The Summer I Turned Pretty’
by uncreditedby uncredited“I think my passion shone through and that’s how I wound up working on Season One.”
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“This is one of those things where you read it and it just works in a number of ways.”
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Web Exclusives
Picture Editors of ‘Fatal Attraction’ on Updating a Classic Thriller for Modern Times
“Here was this grand opportunity to work with a majority female crew in terms of the top positions: majority female directors, a female showrunner, and majority women in post.”
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Web Exclusives
Three-Time Emmy Nominee Angel Gamboa Bryant On Editing Comedy for Wanda Sykes, Mel Brooks
by uncreditedby uncreditedBy Kristin Marguerite Doidge Growing up as a first-generation Mexican-American, Angel Gamboa Bryant thought she might have a career in science. But the universe had other plans. On her …
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FeaturesWhat Our Members Do
WHAT OUR MEMBERS DO: Priscilla Zambrano, Assistant Editor
by uncreditedby uncreditedEverything in this industry is about collaboration, and part of my job is to make sure that my editor’s day goes as smoothly as possible.
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Web Exclusives
Susan E. Kim Talks Editing the World War II Historical Drama ‘A Small Light’
by uncreditedby uncredited“When I read the pilot script, I was struck by how important it is that we understand the story is still relevant today.”
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Web Exclusives
Not ‘a Wacky Rom-Com’: Josh Beal Talks Editing ‘Fleishman Is in Trouble’
by uncreditedby uncredited“I’ve always loved cutting arguments between couples, or arguments in general.”
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Cover StoryFeatures
From ‘Renfield’ to ‘Perry Mason’: The Creative Journeys of Editor Mako Kamitsuna
by uncreditedby uncredited‘It’s all about making this movie fly, transform and transport audiences.’